www.ameliabauer.com

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	<title>www.ameliabauer.com</title>
	<link>http://ameliabauer.com</link>
	<description>www.ameliabauer.com</description>
	<pubDate>Tue, 14 May 2013 23:19:12 +0000</pubDate>
	<generator>http://ameliabauer.com</generator>
	<language>en</language>
	
		
	<item>
		<title>book of shadows</title>
				
		<link>http://www.ameliabauer.com/book-of-shadows</link>

		<comments>http://www.ameliabauer.com/following/ameliabauer.com/book-of-shadows</comments>

		<pubDate>Tue, 14 May 2013 23:19:12 +0000</pubDate>

		<dc:creator>www.ameliabauer.com</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">5618030</guid>

		<description>
&#60;img src="http://payload165.cargocollective.com/1/4/133217/5618030/_MG_6367_C.jpg" width="670" height="502" width_o="1152" height_o="864" src_o="http://payload165.cargocollective.com/1/4/133217/5618030/_MG_6367_C_o.jpg" data-mid="30308485" caption=" &#38;lt;i&#38;gt;To Draw Money&#38;lt;/i&#38;gt;, 2013&#38;lt;br /&#38;gt;
acorns, bayberry, cinnamon cinquefoil, coins (old or foreign), a horseshoe, lavender, parsley, skullcap, shamrock, thyme, tulip&#38;lt;br /&#38;gt;
Archival Pigment Print, 30&#38;quot; x 40&#38;quot;&#38;lt;br /&#38;gt;
edition of 12 + 2 AP" border="0" align="left"/&#62;

&#60;img src="http://payload165.cargocollective.com/1/4/133217/5618030/_MG_6347_C.jpg" width="670" height="447" width_o="1152" height_o="769" src_o="http://payload165.cargocollective.com/1/4/133217/5618030/_MG_6347_C_o.jpg" data-mid="30308480" caption=" &#38;lt;i&#38;gt;Invisibility&#38;lt;/i&#38;gt;, 2013&#38;lt;br /&#38;gt;
almonds, dill, fern, myrrh, marjoram, poppy, slippery elm&#38;lt;br /&#38;gt;
Archival Pigment Print, 16&#38;quot; x 24&#38;quot;&#38;lt;br /&#38;gt;
edition of 12 + 2 AP" border="0" align="left"/&#62;

&#60;img src="http://payload165.cargocollective.com/1/4/133217/5618030/_MG_6495_C.jpg" width="670" height="669" width_o="1152" height_o="1151" src_o="http://payload165.cargocollective.com/1/4/133217/5618030/_MG_6495_C_o.jpg" data-mid="30308501" caption=" &#38;lt;i&#38;gt;To See Spirits&#38;lt;/i&#38;gt;, 2013&#38;lt;br /&#38;gt;
pepper, saffron, vervain &#38;lt;br /&#38;gt;
Archival Pigment Print, 24&#38;quot; x 24&#38;quot;&#38;lt;br /&#38;gt;
edition of 12 + 2 AP" border="0" align="left"/&#62;

&#60;img src="http://payload165.cargocollective.com/1/4/133217/5618030/_MG_6171_C.jpg" width="670" height="446" width_o="1152" height_o="768" src_o="http://payload165.cargocollective.com/1/4/133217/5618030/_MG_6171_C_o.jpg" data-mid="30308456" caption=" &#38;lt;i&#38;gt;For a Woman to Attract a Man She Desires&#38;lt;/i&#38;gt;, 2013&#38;lt;br /&#38;gt;
apple blossoms, geranium, jasmine, rose, rosemary, vanilla pods, vervain &#38;lt;br /&#38;gt;
Archival Pigment Print, 28&#38;quot; x 42&#38;quot;&#38;lt;br /&#38;gt;
edition of 12 + 2 AP" border="0" align="left"/&#62;

&#60;img src="http://payload165.cargocollective.com/1/4/133217/5618030/_MG_6210_B.jpg" width="670" height="670" width_o="1152" height_o="1152" src_o="http://payload165.cargocollective.com/1/4/133217/5618030/_MG_6210_B_o.jpg" data-mid="30308466" caption=" &#38;lt;i&#38;gt;For a Man to Attract a Woman He Desires&#38;lt;/i&#38;gt;, 2013&#38;lt;br /&#38;gt;
bay berry, bay leaves, black snakeroot, cinnamon, geranium, ginger, rose, vervain &#38;lt;br /&#38;gt;
Archival Pigment Print, 32&#38;quot; x 32&#38;quot;&#38;lt;br /&#38;gt;
edition of 12 + 2 AP" border="0" align="left"/&#62;

&#60;img src="http://payload165.cargocollective.com/1/4/133217/5618030/_MG_6282_B.jpg" width="670" height="446" width_o="1152" height_o="768" src_o="http://payload165.cargocollective.com/1/4/133217/5618030/_MG_6282_B_o.jpg" data-mid="30308472" caption=" &#38;lt;i&#38;gt;For Confidence in Social Situations&#38;lt;/i&#38;gt;, 2013&#38;lt;br /&#38;gt;
cedar, lavender, nutmeg&#38;lt;br /&#38;gt;
Archival Pigment Print, 16&#38;quot; x 24&#38;quot;&#38;lt;br /&#38;gt;
edition of 12 + 2 AP" border="0" align="left"/&#62;

&#60;img src="http://payload165.cargocollective.com/1/4/133217/5618030/_MG_6441_C.jpg" width="670" height="446" width_o="1152" height_o="768" src_o="http://payload165.cargocollective.com/1/4/133217/5618030/_MG_6441_C_o.jpg" data-mid="30308495" caption=" &#38;lt;i&#38;gt;For Protection from Evil&#38;lt;/i&#38;gt;, 2013&#38;lt;br /&#38;gt;
acacia, apple blossom, marigold, pennyroyal, rue, sage, thyme, violet&#38;lt;br /&#38;gt;
Archival Pigment Print, 32&#38;quot; x 48&#38;quot;&#38;lt;br /&#38;gt;
edition of 12 + 2 AP" border="0" align="left"/&#62;

&#60;img src="http://payload165.cargocollective.com/1/4/133217/5618030/_MG_6488_C.jpg" width="670" height="502" width_o="1152" height_o="864" src_o="http://payload165.cargocollective.com/1/4/133217/5618030/_MG_6488_C_o.jpg" data-mid="30308498" caption=" &#38;lt;i&#38;gt;To Break a Spell You've Cast&#38;lt;/i&#38;gt;, 2013&#38;lt;br /&#38;gt;
angelica, rosemary, white candles, pearls&#38;lt;br /&#38;gt;
Archival Pigment Print, 30&#38;quot; x 40&#38;quot;&#38;lt;br /&#38;gt;
edition of 12 + 2 AP" border="0" align="left"/&#62;

&#60;img src="http://payload165.cargocollective.com/1/4/133217/5618030/_MG_6405_C.jpg" width="670" height="376" width_o="1152" height_o="648" src_o="http://payload165.cargocollective.com/1/4/133217/5618030/_MG_6405_C_o.jpg" data-mid="30308492" caption=" &#38;lt;i&#38;gt;For Safety in Travel&#38;lt;/i&#38;gt;, 2013&#38;lt;br /&#38;gt;
apple, cedar, cinnamon, holly, garlic&#38;lt;br /&#38;gt;
Archival Pigment Print, 20.25&#38;quot; x 36&#38;quot;&#38;lt;br /&#38;gt;
edition of 12 + 2 AP" border="0" align="left"/&#62;

&#60;img src="http://payload165.cargocollective.com/1/4/133217/5618030/_MG_6300_C.jpg" width="670" height="376" width_o="1152" height_o="648" src_o="http://payload165.cargocollective.com/1/4/133217/5618030/_MG_6300_C_o.jpg" data-mid="30308475" caption=" &#38;lt;i&#38;gt;To Increase Fertility&#38;lt;/i&#38;gt;, 2013&#38;lt;br /&#38;gt;
apple, apple blossoms, basil, cucumber, ginger, hazel, moss, jasmine, lemon, lime, myrtle, orange, pomegranate, poppy, red clover, raspberry, strawberry &#38;lt;br /&#38;gt;
Archival Pigment Print, 31.5&#38;quot; x 56&#38;quot;&#38;lt;br /&#38;gt;
edition of 12 + 2 AP" border="0" align="left"/&#62;


BOOK OF SHADOWS
in collaboration with Elizabeth Parks Kibbey

The 17th century saw the innovation and popularization of the floral still life painting in Europe and its colonies. By the end of the same century, the Salem witch trials were occurring in America. Witchcraft includes among its rituals the use of botanicals dried and kept in bottles or carried in pouches, bathed in or brewed as tea. Plants are used both symbolically and medicinally. The names of wildflowers, such as cattail and foxglove, and less familiarly, crow’s foot, donkey’s eyes, and snake’s tongue, lead to visions of cauldrons with real animal parts stewing inside. Women were put in positions of power within the religion of Witchcraft, and were therefore killed in far greater numbers than men during the Salem witch trials. 

The still lifes in this series are comprised of the ingredients in various botanical spells. The ingredients are used here in their most floral state: poppies instead of poppy seeds, a saffron bulb instead of dried stigmas, and so on. The arrangements turn these spells towards the domestic, and present a less threatening, more palatable femininity.

When the idea for this series came to me, I knew I wanted to work with someone who had a skill with arrangements and knowledge of botanical material that I could not approximate on my own. Elizabeth Parks Kibbey’s passion for flowers had led her first to work as a florist, but later to create experimental large-scale floral sculpture. A series of conversations engendered a shared understanding, both of the concept and aesthetic for the project. The images that make up Book of Shadows represent our creative synthesis. 
</description>
		
		<excerpt>  BOOK OF SHADOWS in collaboration with Elizabeth Parks Kibbey  The 17th century saw the innovation and popularization of the floral still life painting in Europe...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

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	</item>
		
		
	<item>
		<title>site-specific collaborations</title>
				
		<link>http://www.ameliabauer.com/site-specific-collaborations</link>

		<comments>http://www.ameliabauer.com/following/ameliabauer.com/site-specific-collaborations</comments>

		<pubDate>Fri, 08 Mar 2013 13:48:28 +0000</pubDate>

		<dc:creator>www.ameliabauer.com</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">5140002</guid>

		<description>&#60;img src="http://payload142.cargocollective.com/1/4/133217/5140002/hallway1b.jpg" width="670" height="436" width_o="670" height_o="436" src_o="http://payload142.cargocollective.com/1/4/133217/5140002/hallway1b_o.jpg" data-mid="27611816" caption="&#38;lt;i&#38;gt;Here's Lookin' at You&#38;lt;/i&#38;gt;, 2004&#38;lt;br /&#38;gt;
collaboration with Marcin Balicki and Robert de Saint Phalle&#38;lt;br /&#38;gt;
Terminal 5, New York&#38;lt;br /&#38;gt;
mixed media&#38;lt;br /&#38;gt;
85&#38;quot; x 30&#38;quot; x 65&#38;quot;&#38;lt;br /&#38;gt;
&#38;lt;br /&#38;gt;
&#38;lt;br /&#38;gt;
“Here’s Lookin’ at You,” designed for Terminal 5 at JFK International Airport, examines the increasingly blurred boundary between public and private life after 9/11 and the ownership of one’s image in the information age. The viewer enters a seemingly conventional booth, closes the privacy curtain, inserts money, and poses for the timed strobes. When the photo strip is developed, however, the images appear not as standard frontal shots, but as seen from above by a hidden security camera inside the booth. The keepsake images produced by “Here’s Lookin’ at You“ is a reclamation of one’s skewed, captured image. The booth’s camouflage of familiarity enhances the disturbing effect of its product." border="0" align="left"/&#62;&#60;img src="http://payload142.cargocollective.com/1/4/133217/5140002/booth1.jpg" width="670" height="463" width_o="936" height_o="648" src_o="http://payload142.cargocollective.com/1/4/133217/5140002/booth1_o.jpg" data-mid="27612790" caption="&#38;lt;i&#38;gt;Here's Lookin' at You&#38;lt;/i&#38;gt;, 2004&#38;lt;br /&#38;gt;
collaboration with Marcin Balicki and Robert de Saint Phalle&#38;lt;br /&#38;gt;
Terminal 5, New York&#38;lt;br /&#38;gt;
mixed media&#38;lt;br /&#38;gt;
85&#38;quot; x 30&#38;quot; x 65&#38;quot;&#38;lt;br /&#38;gt;
&#38;lt;br /&#38;gt;
&#38;lt;br /&#38;gt;
“Here’s Lookin’ at You,” designed for Terminal 5 at JFK International Airport, examines the increasingly blurred boundary between public and private life after 9/11 and the ownership of one’s image in the information age. The viewer enters a seemingly conventional booth, closes the privacy curtain, inserts money, and poses for the timed strobes. When the photo strip is developed, however, the images appear not as standard frontal shots, but as seen from above by a hidden security camera inside the booth. The keepsake images produced by “Here’s Lookin’ at You“ is a reclamation of one’s skewed, captured image. The booth’s camouflage of familiarity enhances the disturbing effect of its product." border="0" align="left"/&#62;&#60;img src="http://payload142.cargocollective.com/1/4/133217/5140002/booth2.jpg" width="670" height="463" width_o="936" height_o="648" src_o="http://payload142.cargocollective.com/1/4/133217/5140002/booth2_o.jpg" data-mid="27612791" caption="&#38;lt;i&#38;gt;Here's Lookin' at You&#38;lt;/i&#38;gt;, 2004&#38;lt;br /&#38;gt;
collaboration with Marcin Balicki and Robert de Saint Phalle&#38;lt;br /&#38;gt;
Terminal 5, New York&#38;lt;br /&#38;gt;
mixed media&#38;lt;br /&#38;gt;
85&#38;quot; x 30&#38;quot; x 65&#38;quot;&#38;lt;br /&#38;gt;
&#38;lt;br /&#38;gt;
&#38;lt;br /&#38;gt;
“Here’s Lookin’ at You,” designed for Terminal 5 at JFK International Airport, examines the increasingly blurred boundary between public and private life after 9/11 and the ownership of one’s image in the information age. The viewer enters a seemingly conventional booth, closes the privacy curtain, inserts money, and poses for the timed strobes. When the photo strip is developed, however, the images appear not as standard frontal shots, but as seen from above by a hidden security camera inside the booth. The keepsake images produced by “Here’s Lookin’ at You“ is a reclamation of one’s skewed, captured image. The booth’s camouflage of familiarity enhances the disturbing effect of its product." border="0" align="left"/&#62;
&#60;img src="http://payload142.cargocollective.com/1/4/133217/5140002/DSC04028B_o.jpg" width="670" height="502" width_o="2048" height_o="1536" src_o="http://payload142.cargocollective.com/1/4/133217/5140002/DSC04028B_o_o.jpg" data-mid="27613344" caption="&#38;lt;i&#38;gt;Manifest Destiny&#38;lt;/i&#38;gt;, 2004&#38;lt;br /&#38;gt;
collaboration with Robert de Saint Phalle&#38;lt;br /&#38;gt;
&#38;lt;br /&#38;gt;
&#38;quot;Scenic Overlook&#38;quot; Center for Contemporary Arts, Santa Fe, NM&#38;lt;br /&#38;gt;
Permanent Collection, Albuquerque Museum of Art and History, Albuquerque, NM&#38;lt;br /&#38;gt;
Cabon fiber, epoxy, enamel, polyurethane, steel&#38;lt;br /&#38;gt;
96&#38;quot; x 48&#38;quot; x 12&#38;quot;" border="0" align="left"/&#62;&#60;img src="http://payload142.cargocollective.com/1/4/133217/5140002/DSC04035a_o.jpg" width="670" height="502" width_o="2048" height_o="1536" src_o="http://payload142.cargocollective.com/1/4/133217/5140002/DSC04035a_o_o.jpg" data-mid="27613351" caption="&#38;lt;i&#38;gt;Manifest Destiny&#38;lt;/i&#38;gt;, 2004&#38;lt;br /&#38;gt;
collaboration with Robert de Saint Phalle&#38;lt;br /&#38;gt;
&#38;lt;br /&#38;gt;
&#38;quot;Scenic Overlook&#38;quot; Center for Contemporary Arts, Santa Fe, NM&#38;lt;br /&#38;gt;
Permanent Collection, Albuquerque Museum of Art and History, Albuquerque, NM&#38;lt;br /&#38;gt;
Cabon fiber, epoxy, enamel, polyurethane, steel&#38;lt;br /&#38;gt;
96&#38;quot; x 48&#38;quot; x 12&#38;quot;" border="0" align="left"/&#62;&#60;img src="http://payload142.cargocollective.com/1/4/133217/5140002/DSC04042b_o.jpg" width="670" height="502" width_o="2048" height_o="1536" src_o="http://payload142.cargocollective.com/1/4/133217/5140002/DSC04042b_o_o.jpg" data-mid="27613357" caption="&#38;lt;i&#38;gt;Manifest Destiny&#38;lt;/i&#38;gt;, 2004&#38;lt;br /&#38;gt;
collaboration with Robert de Saint Phalle&#38;lt;br /&#38;gt;
&#38;lt;br /&#38;gt;
&#38;quot;Scenic Overlook&#38;quot; Center for Contemporary Arts, Santa Fe, NM&#38;lt;br /&#38;gt;
Permanent Collection, Albuquerque Museum of Art and History, Albuquerque, NM&#38;lt;br /&#38;gt;
Cabon fiber, epoxy, enamel, polyurethane, steel&#38;lt;br /&#38;gt;
96&#38;quot; x 48&#38;quot; x 12&#38;quot;" border="0" align="left"/&#62;&#60;img src="http://payload142.cargocollective.com/1/4/133217/5140002/DSC04044A_o.jpg" width="670" height="502" width_o="2048" height_o="1536" src_o="http://payload142.cargocollective.com/1/4/133217/5140002/DSC04044A_o_o.jpg" data-mid="27613360" caption="&#38;lt;i&#38;gt;Manifest Destiny&#38;lt;/i&#38;gt;, 2004&#38;lt;br /&#38;gt;
collaboration with Robert de Saint Phalle&#38;lt;br /&#38;gt;
&#38;lt;br /&#38;gt;
&#38;quot;Scenic Overlook&#38;quot; Center for Contemporary Arts, Santa Fe, NM&#38;lt;br /&#38;gt;
Permanent Collection, Albuquerque Museum of Art and History, Albuquerque, NM&#38;lt;br /&#38;gt;
Cabon fiber, epoxy, enamel, polyurethane, steel&#38;lt;br /&#38;gt;
96&#38;quot; x 48&#38;quot; x 12&#38;quot;" border="0" align="left"/&#62;
&#60;img src="http://payload142.cargocollective.com/1/4/133217/5140002/iceberg.jpg" width="670" height="446" width_o="1475" height_o="983" src_o="http://payload142.cargocollective.com/1/4/133217/5140002/iceberg_o.jpg" data-mid="27613681" caption="&#38;lt;i&#38;gt;Iceberg&#38;lt;/i&#38;gt;, 2005&#38;lt;br /&#38;gt;
collaboration with Tobias Wong &#38;lt;br /&#38;gt;
aquarium, crystal strands, black crystal gravel, 2 dozen piranhas&#38;lt;br /&#38;gt;
75&#38;quot; x 27&#38;quot; x 89&#38;quot;&#38;lt;br /&#38;gt;
&#38;lt;br /&#38;gt;
Commissioned by Swarovski for &#38;lt;i&#38;gt;Swarovski Crystal Palace&#38;lt;/i&#38;gt; at Art Basel, Miami, FL&#38;lt;br /&#38;gt;
" border="0" align="left"/&#62;&#60;img src="http://payload142.cargocollective.com/1/4/133217/5140002/iceberg3_o.jpg" width="504" height="378" width_o="504" height_o="378" src_o="http://payload142.cargocollective.com/1/4/133217/5140002/iceberg3_o_o.jpg" data-mid="27613685" caption="&#38;lt;i&#38;gt;Iceberg&#38;lt;/i&#38;gt;, 2005&#38;lt;br /&#38;gt;
collaboration with Tobias Wong &#38;lt;br /&#38;gt;
aquarium, crystal strands, black crystal gravel, 2 dozen piranhas&#38;lt;br /&#38;gt;
75&#38;quot; x 27&#38;quot; x 89&#38;quot;&#38;lt;br /&#38;gt;
&#38;lt;br /&#38;gt;
Commissioned by Swarovski for &#38;lt;i&#38;gt;Swarovski Crystal Palace&#38;lt;/i&#38;gt; at Art Basel, Miami, FL" border="0" align="left"/&#62;&#60;img src="http://payload142.cargocollective.com/1/4/133217/5140002/iceberg2_o.jpg" width="504" height="378" width_o="504" height_o="378" src_o="http://payload142.cargocollective.com/1/4/133217/5140002/iceberg2_o_o.jpg" data-mid="27613687" caption="&#38;lt;i&#38;gt;Iceberg&#38;lt;/i&#38;gt;, 2005&#38;lt;br /&#38;gt;
collaboration with Tobias Wong &#38;lt;br /&#38;gt;
aquarium, crystal strands, black crystal gravel, 2 dozen piranhas&#38;lt;br /&#38;gt;
75&#38;quot; x 27&#38;quot; x 89&#38;quot;&#38;lt;br /&#38;gt;
&#38;lt;br /&#38;gt;
Commissioned by Swarovski for &#38;lt;i&#38;gt;Swarovski Crystal Palace&#38;lt;/i&#38;gt; at Art Basel, Miami, FL" border="0" align="left"/&#62;&#60;img src="http://payload142.cargocollective.com/1/4/133217/5140002/comp_1.jpg" width="670" height="494" width_o="670" height_o="494" src_o="http://payload142.cargocollective.com/1/4/133217/5140002/comp_1_o.jpg" data-mid="27612982" caption="&#38;lt;i&#38;gt;Transcendental Meditation&#38;lt;/i&#38;gt;, 2005&#38;lt;br /&#38;gt;
collaboration with Tobias Wong&#38;lt;br /&#38;gt;
floor to ceiling strand of Swarovski crystals&#38;lt;br /&#38;gt;
dimensions variable&#38;lt;br /&#38;gt;
&#38;lt;br /&#38;gt;
Permanent Collection, SFMOMA, San Francisco, CA&#38;lt;br /&#38;gt;
Museum of Vancouver&#38;lt;br /&#38;gt;
Capellini show room, New York City, NY&#38;lt;br /&#38;gt;
&#38;quot;Help Yourself&#38;quot; Helen Pitt Gallery, Vancouver, B.C." border="0" align="left"/&#62;&#60;img src="http://payload142.cargocollective.com/1/4/133217/5140002/fiction_fiction_1_2.jpg" width="670" height="458" width_o="2048" height_o="1400" src_o="http://payload142.cargocollective.com/1/4/133217/5140002/fiction_fiction_1_2_o.jpg" data-mid="27612893" caption="&#38;lt;i&#38;gt;Fiction/Fiction&#38;lt;/i&#38;gt;, 2006&#38;lt;br /&#38;gt;
Collaboration with Mel Chin&#38;lt;br /&#38;gt;
&#38;lt;br /&#38;gt;
Conceptual contribution to Mel Chin's Recolecciones project, consisting of artworks inserted into and around the infrastructure of The King Library in San Jose, CA. More information available &#38;lt;a href=&#38;quot;http://melchin.org/oeuvre/recolecciones&#38;quot; target=&#38;quot;_blank&#38;quot;&#38;gt;here&#38;lt;/a&#38;gt;." border="0" align="left"/&#62;&#60;img src="http://payload142.cargocollective.com/1/4/133217/5140002/IMG_0683small.jpg" width="670" height="451" width_o="670" height_o="451" src_o="http://payload142.cargocollective.com/1/4/133217/5140002/IMG_0683small_o.jpg" data-mid="27613809" caption="&#38;lt;i&#38;gt;Non-mailable Matter&#38;lt;/i&#38;gt;, collaboration with Line Up, 2007&#38;lt;br /&#38;gt;
&#38;quot;The Book of Stamps&#38;quot; published by Cabinet Books, New York&#38;lt;br /&#38;gt;
&#38;lt;br /&#38;gt;
Ranging from the beautiful to the grotesque to the absurd, the images depicted in the stamps contributed by Line Up (a collective comprising Amelia Bauer, Robert de Saint Phalle, Tim Dubitsky, and Tobias Wong) seem to be organized according to no discernible logic. In fact, these Nonmailable Matter stamps depict an incomplete inventory of the occasionally improbable articles that the United States Postal Service USPS prohibits from going through the mail. The list below, excerpted from the catalogue of items and substances restricted by the Aviation Mail Security &#38;amp; Hazardous Materials Programs of the USPS, corresponds with the images on the following page:&#38;lt;br /&#38;gt;
&#38;lt;br /&#38;gt;
Fireworks; Cleaning supplies; Blood; Kittens&#38;lt;br /&#38;gt;
Perfume; Scabs; Glue; Butterflies&#38;lt;br /&#38;gt;
Magnetized Materials; Fire Extinguishers; Nail Polish; Cement&#38;lt;br /&#38;gt;
Mushrooms; Contraceptive Devices; Paint; Diseased Cells&#38;lt;br /&#38;gt;
Fruit; Turtles; Fighting Cocks; Explosives&#38;lt;br /&#38;gt;
" border="0" align="left"/&#62;&#60;img src="http://payload142.cargocollective.com/1/4/133217/5140002/stampbook001small.jpg" width="461" height="576" width_o="461" height_o="576" src_o="http://payload142.cargocollective.com/1/4/133217/5140002/stampbook001small_o.jpg" data-mid="27613815" caption="&#38;lt;i&#38;gt;Non-mailable Matter&#38;lt;/i&#38;gt;, collaboration with Line Up, 2007&#38;lt;br /&#38;gt;
&#38;quot;The Book of Stamps&#38;quot; published by Cabinet Books, New York&#38;lt;br /&#38;gt;
&#38;lt;br /&#38;gt;
Ranging from the beautiful to the grotesque to the absurd, the images depicted in the stamps contributed by Line Up (a collective comprising Amelia Bauer, Robert de Saint Phalle, Tim Dubitsky, and Tobias Wong) seem to be organized according to no discernible logic. In fact, these Nonmailable Matter stamps depict an incomplete inventory of the occasionally improbable articles that the United States Postal Service USPS prohibits from going through the mail. The list below, excerpted from the catalogue of items and substances restricted by the Aviation Mail Security &#38;amp; Hazardous Materials Programs of the USPS, corresponds with the images on the following page:&#38;lt;br /&#38;gt;
&#38;lt;br /&#38;gt;
Fireworks; Cleaning supplies; Blood; Kittens&#38;lt;br /&#38;gt;
Perfume; Scabs; Glue; Butterflies&#38;lt;br /&#38;gt;
Magnetized Materials; Fire Extinguishers; Nail Polish; Cement&#38;lt;br /&#38;gt;
Mushrooms; Contraceptive Devices; Paint; Diseased Cells&#38;lt;br /&#38;gt;
Fruit; Turtles; Fighting Cocks; Explosives&#38;lt;br /&#38;gt;
" border="0" align="left"/&#62;&#60;img src="http://payload142.cargocollective.com/1/4/133217/5140002/LineUpStampSheet1a.jpg" width="461" height="576" width_o="461" height_o="576" src_o="http://payload142.cargocollective.com/1/4/133217/5140002/LineUpStampSheet1a_o.jpg" data-mid="27613905" caption="&#38;lt;i&#38;gt;Non-mailable Matter&#38;lt;/i&#38;gt;, collaboration with Line Up, 2007&#38;lt;br /&#38;gt;
&#38;quot;The Book of Stamps&#38;quot; published by Cabinet Books, New York&#38;lt;br /&#38;gt;
&#38;lt;br /&#38;gt;
Ranging from the beautiful to the grotesque to the absurd, the images depicted in the stamps contributed by Line Up (a collective comprising Amelia Bauer, Robert de Saint Phalle, Tim Dubitsky, and Tobias Wong) seem to be organized according to no discernible logic. In fact, these Nonmailable Matter stamps depict an incomplete inventory of the occasionally improbable articles that the United States Postal Service USPS prohibits from going through the mail. The list below, excerpted from the catalogue of items and substances restricted by the Aviation Mail Security &#38;amp; Hazardous Materials Programs of the USPS, corresponds with the images on the following page:&#38;lt;br /&#38;gt;
&#38;lt;br /&#38;gt;
Fireworks; Cleaning supplies; Blood; Kittens&#38;lt;br /&#38;gt;
Perfume; Scabs; Glue; Butterflies&#38;lt;br /&#38;gt;
Magnetized Materials; Fire Extinguishers; Nail Polish; Cement&#38;lt;br /&#38;gt;
Mushrooms; Contraceptive Devices; Paint; Diseased Cells&#38;lt;br /&#38;gt;
Fruit; Turtles; Fighting Cocks; Explosives&#38;lt;br /&#38;gt;
" border="0" align="left"/&#62;</description>
		
		<excerpt></excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload142.cargocollective.com/1/4/133217/5140002/prt_1362771875.jpg" />

	</item>
		
		
	<item>
		<title>works on paper</title>
				
		<link>http://www.ameliabauer.com/works-on-paper</link>

		<comments>http://www.ameliabauer.com/following/ameliabauer.com/works-on-paper</comments>

		<pubDate>Fri, 08 Mar 2013 12:49:42 +0000</pubDate>

		<dc:creator>www.ameliabauer.com</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">5139735</guid>

		<description>&#60;img src="http://payload141.cargocollective.com/1/4/133217/5139735/B_Fall.jpg" width="670" height="532" width_o="670" height_o="532" src_o="http://payload141.cargocollective.com/1/4/133217/5139735/B_Fall_o.jpg" data-mid="27605751" caption="&#38;lt;i&#38;gt;Fall&#38;lt;/i&#38;gt;, 2008, archival ink on paper, 24&#38;quot; x 19&#38;quot;" border="0" align="left"/&#62;&#60;img src="http://payload141.cargocollective.com/1/4/133217/5139735/B_FallDetail.jpg" width="648" height="864" width_o="648" height_o="864" src_o="http://payload141.cargocollective.com/1/4/133217/5139735/B_FallDetail_o.jpg" data-mid="27605758" caption="&#38;lt;i&#38;gt;Fall&#38;lt;/i&#38;gt;, 2008, archival ink on paper, 24&#38;quot; x 19&#38;quot; (detail)" border="0" align="left"/&#62;&#60;img src="http://payload141.cargocollective.com/1/4/133217/5139735/B_Plume.jpg" width="670" height="676" width_o="670" height_o="676" src_o="http://payload141.cargocollective.com/1/4/133217/5139735/B_Plume_o.jpg" data-mid="27605760" caption="&#38;lt;i&#38;gt;Plume&#38;lt;/i&#38;gt;, 2008, archival ink on paper, 19&#38;quot; x 19&#38;quot;" border="0" align="left"/&#62;&#60;img src="http://payload141.cargocollective.com/1/4/133217/5139735/B_PlumeDetail1.jpg" width="648" height="864" width_o="648" height_o="864" src_o="http://payload141.cargocollective.com/1/4/133217/5139735/B_PlumeDetail1_o.jpg" data-mid="27605766" caption="&#38;lt;i&#38;gt;Plume&#38;lt;/i&#38;gt;, 2008, archival ink on paper, 19&#38;quot; x 19&#38;quot; (detail)" border="0" align="left"/&#62;&#60;img src="http://payload141.cargocollective.com/1/4/133217/5139735/B_PlumeDetail2.jpg" width="670" height="502" width_o="670" height_o="502" src_o="http://payload141.cargocollective.com/1/4/133217/5139735/B_PlumeDetail2_o.jpg" data-mid="27605768" caption="&#38;lt;i&#38;gt;Plume&#38;lt;/i&#38;gt;, 2008, archival ink on paper, 19&#38;quot; x 19&#38;quot; (detail)" border="0" align="left"/&#62;&#60;img src="http://payload141.cargocollective.com/1/4/133217/5139735/B_Stand.jpg" width="670" height="535" width_o="670" height_o="535" src_o="http://payload141.cargocollective.com/1/4/133217/5139735/B_Stand_o.jpg" data-mid="27605772" caption="&#38;lt;i&#38;gt;Stand&#38;lt;/i&#38;gt;, 2008, archival ink on paper, 24&#38;quot; x 19&#38;quot;" border="0" align="left"/&#62;&#60;img src="http://payload141.cargocollective.com/1/4/133217/5139735/B_StandDetail.jpg" width="648" height="864" width_o="648" height_o="864" src_o="http://payload141.cargocollective.com/1/4/133217/5139735/B_StandDetail_o.jpg" data-mid="27605777" caption="&#38;lt;i&#38;gt;Stand&#38;lt;/i&#38;gt;, 2008, archival ink on paper, 24&#38;quot; x 19&#38;quot; (detail)" border="0" align="left"/&#62;&#60;img src="http://payload141.cargocollective.com/1/4/133217/5139735/C_Web.jpg" width="670" height="670" width_o="670" height_o="670" src_o="http://payload141.cargocollective.com/1/4/133217/5139735/C_Web_o.jpg" data-mid="27605781" caption="&#38;lt;i&#38;gt;Web&#38;lt;/i&#38;gt;, 2008, cut paper and gouache (reflective color), 27..5&#38;quot; x 27.5&#38;quot;" border="0" align="left"/&#62;&#60;img src="http://payload141.cargocollective.com/1/4/133217/5139735/C_WebDetail.jpg" width="670" height="502" width_o="670" height_o="502" src_o="http://payload141.cargocollective.com/1/4/133217/5139735/C_WebDetail_o.jpg" data-mid="27605785" caption="&#38;lt;i&#38;gt;Web&#38;lt;/i&#38;gt;, 2008, cut paper and gouache (reflective color), 27..5&#38;quot; x 27.5&#38;quot; (detail)" border="0" align="left"/&#62;&#60;img src="http://payload141.cargocollective.com/1/4/133217/5139735/topiary.jpg" width="670" height="403" width_o="670" height_o="403" src_o="http://payload141.cargocollective.com/1/4/133217/5139735/topiary_o.jpg" data-mid="27605791" caption="&#38;lt;i&#38;gt;Topiary&#38;lt;/i&#38;gt;, 2010, archival ink, pencil, and watercolor on paper, 24&#38;quot; x 14.5&#38;quot;" border="0" align="left"/&#62;&#60;img src="http://payload141.cargocollective.com/1/4/133217/5139735/AmeliaBauer_Topiarydetail.jpg" width="670" height="403" width_o="670" height_o="403" src_o="http://payload141.cargocollective.com/1/4/133217/5139735/AmeliaBauer_Topiarydetail_o.jpg" data-mid="27605803" caption="&#38;lt;i&#38;gt;Topiary&#38;lt;/i&#38;gt;, 2010, archival ink, pencil, and watercolor on paper, 24&#38;quot; x 14.5&#38;quot; (detail)" border="0" align="left"/&#62;&#60;img src="http://payload141.cargocollective.com/1/4/133217/5139735/kudzu.jpg" width="670" height="401" width_o="670" height_o="401" src_o="http://payload141.cargocollective.com/1/4/133217/5139735/kudzu_o.jpg" data-mid="27605805" caption="&#38;lt;i&#38;gt;Kudzu&#38;lt;/i&#38;gt;, 2010, archival ink, pencil, and watercolor on paper, 24&#38;quot; x 14.5&#38;quot;" border="0" align="left"/&#62;&#60;img src="http://payload141.cargocollective.com/1/4/133217/5139735/AmeliaBauer_Kudzudetail.jpg" width="670" height="403" width_o="670" height_o="403" src_o="http://payload141.cargocollective.com/1/4/133217/5139735/AmeliaBauer_Kudzudetail_o.jpg" data-mid="27605809" caption="&#38;lt;i&#38;gt;Kudzu&#38;lt;/i&#38;gt;, 2010, archival ink, pencil, and watercolor on paper, 24&#38;quot; x 14.5&#38;quot; (detail)" border="0" align="left"/&#62;&#60;img src="http://payload141.cargocollective.com/1/4/133217/5139735/kundzuvstopiary.jpg" width="670" height="401" width_o="670" height_o="401" src_o="http://payload141.cargocollective.com/1/4/133217/5139735/kundzuvstopiary_o.jpg" data-mid="27605811" caption="&#38;lt;i&#38;gt;Kudzu v Topiary&#38;lt;/i&#38;gt;, 2011, archival ink, pencil, and watercolor on paper, 39&#38;quot; x 28&#38;quot;" border="0" align="left"/&#62;&#60;img src="http://payload141.cargocollective.com/1/4/133217/5139735/_MG_1274_Adetail.jpg" width="670" height="403" width_o="670" height_o="403" src_o="http://payload141.cargocollective.com/1/4/133217/5139735/_MG_1274_Adetail_o.jpg" data-mid="27605817" caption="&#38;lt;i&#38;gt;Kudzu v Topiary&#38;lt;/i&#38;gt;, 2011, archival ink, pencil, and watercolor on paper, 39&#38;quot; x 28&#38;quot; (detail)" border="0" align="left"/&#62;</description>
		
		<excerpt></excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload141.cargocollective.com/1/4/133217/5139735/prt_1362768508.jpg" />

	</item>
		
		
	<item>
		<title>burned over</title>
				
		<link>http://www.ameliabauer.com/burned-over</link>

		<comments>http://www.ameliabauer.com/following/ameliabauer.com/burned-over</comments>

		<pubDate>Sun, 22 Apr 2012 17:04:54 +0000</pubDate>

		<dc:creator>www.ameliabauer.com</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">3209267</guid>

		<description>&#60;img src="http://payload45.cargocollective.com/1/4/133217/3209267/2_MG_2672_A.jpg" width="670" height="446" width_o="1080" height_o="720" src_o="http://payload45.cargocollective.com/1/4/133217/3209267/2_MG_2672_A_o.jpg" data-mid="16684713"  border="0" align="left"/&#62;&#60;img src="http://payload45.cargocollective.com/1/4/133217/3209267/1_MG_3102_A.jpg" width="670" height="446" width_o="1080" height_o="720" src_o="http://payload45.cargocollective.com/1/4/133217/3209267/1_MG_3102_A_o.jpg" data-mid="16684709"  border="0" align="left"/&#62;&#60;img src="http://payload45.cargocollective.com/1/4/133217/3209267/3_MG_3081_2_A.jpg" width="670" height="446" width_o="1080" height_o="720" src_o="http://payload45.cargocollective.com/1/4/133217/3209267/3_MG_3081_2_A_o.jpg" data-mid="16684719"  border="0" align="left"/&#62;&#60;img src="http://payload45.cargocollective.com/1/4/133217/3209267/4_MG_3226_A.jpg" width="670" height="446" width_o="1080" height_o="720" src_o="http://payload45.cargocollective.com/1/4/133217/3209267/4_MG_3226_A_o.jpg" data-mid="16684723"  border="0" align="left"/&#62;&#60;img src="http://payload45.cargocollective.com/1/4/133217/3209267/5_MG_3138_A.jpg" width="670" height="446" width_o="1080" height_o="720" src_o="http://payload45.cargocollective.com/1/4/133217/3209267/5_MG_3138_A_o.jpg" data-mid="16684729"  border="0" align="left"/&#62;&#60;img src="http://payload45.cargocollective.com/1/4/133217/3209267/6_MG_2982_A.jpg" width="670" height="446" width_o="1080" height_o="720" src_o="http://payload45.cargocollective.com/1/4/133217/3209267/6_MG_2982_A_o.jpg" data-mid="16684731"  border="0" align="left"/&#62;&#60;img src="http://payload45.cargocollective.com/1/4/133217/3209267/7_MG_2634_A.jpg" width="670" height="446" width_o="1080" height_o="720" src_o="http://payload45.cargocollective.com/1/4/133217/3209267/7_MG_2634_A_o.jpg" data-mid="16684734"  border="0" align="left"/&#62;&#60;img src="http://payload45.cargocollective.com/1/4/133217/3209267/8_MG_3210_17_A.jpg" width="670" height="446" width_o="1080" height_o="720" src_o="http://payload45.cargocollective.com/1/4/133217/3209267/8_MG_3210_17_A_o.jpg" data-mid="16684736"  border="0" align="left"/&#62;
Burned Over, 2012
Archival Pigment Prints, 40" x 60"
edition of 5 + 1 AP
and
custom wallpaper murals, dimensions variable
open edition

</description>
		
		<excerpt> Burned Over, 2012 Archival Pigment Prints, 40" x 60" edition of 5 + 1 AP and custom wallpaper murals, dimensions variable open edition  </excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload45.cargocollective.com/1/4/133217/3209267/prt_1362766296.jpg" />

	</item>
		
		
	<item>
		<title>midnight in diablo canyon</title>
				
		<link>http://www.ameliabauer.com/midnight-in-diablo-canyon</link>

		<comments>http://www.ameliabauer.com/following/ameliabauer.com/midnight-in-diablo-canyon</comments>

		<pubDate>Sat, 08 Oct 2011 10:01:32 +0000</pubDate>

		<dc:creator>www.ameliabauer.com</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">2119052</guid>

		<description>&#60;img src="http://payload.cargocollective.com/1/4/133217/2119052/07_MG_1627_A.jpg" width="670" height="446" width_o="1200" height_o="800" src_o="http://payload.cargocollective.com/1/4/133217/2119052/07_MG_1627_A_o.jpg" data-mid="10561748"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/133217/2119052/03_MG_1601_A.jpg" width="670" height="446" width_o="1200" height_o="800" src_o="http://payload.cargocollective.com/1/4/133217/2119052/03_MG_1601_A_o.jpg" data-mid="10561743"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/133217/2119052/16_MG_1656_A.jpg" width="670" height="446" width_o="1200" height_o="800" src_o="http://payload.cargocollective.com/1/4/133217/2119052/16_MG_1656_A_o.jpg" data-mid="10561750"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/133217/2119052/20_MG_1602_A.jpg" width="670" height="446" width_o="1200" height_o="800" src_o="http://payload.cargocollective.com/1/4/133217/2119052/20_MG_1602_A_o.jpg" data-mid="10561758"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/133217/2119052/x_MG_1659_A.jpg" width="670" height="446" width_o="1200" height_o="800" src_o="http://payload.cargocollective.com/1/4/133217/2119052/x_MG_1659_A_o.jpg" data-mid="10561766"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/133217/2119052/_MG_1618_A.jpg" width="670" height="446" width_o="1200" height_o="800" src_o="http://payload.cargocollective.com/1/4/133217/2119052/_MG_1618_A_o.jpg" data-mid="16426117"  border="0" align="left"/&#62;
Midnight in Diablo Canyon, 2011
Archival Pigment Prints, 45" x 30"
Edition of 5 + 1 AP</description>
		
		<excerpt> Midnight in Diablo Canyon, 2011 Archival Pigment Prints, 45" x 30" Edition of 5 + 1 AP</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/4/133217/2119052/prt_1362766388.jpg" />

	</item>
		
		
	<item>
		<title>smoke signals</title>
				
		<link>http://www.ameliabauer.com/smoke-signals</link>

		<comments>http://www.ameliabauer.com/following/ameliabauer.com/smoke-signals</comments>

		<pubDate>Sat, 08 Oct 2011 09:56:51 +0000</pubDate>

		<dc:creator>www.ameliabauer.com</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">2119000</guid>

		<description>&#60;img src="http://payload.cargocollective.com/1/4/133217/2119000/01_MG_0524_B.jpg" width="670" height="446" width_o="1200" height_o="800" src_o="http://payload.cargocollective.com/1/4/133217/2119000/01_MG_0524_B_o.jpg" data-mid="10561447"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/133217/2119000/02_MG_0837_A.jpg" width="670" height="446" width_o="1200" height_o="800" src_o="http://payload.cargocollective.com/1/4/133217/2119000/02_MG_0837_A_o.jpg" data-mid="10561452"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/133217/2119000/03_MG_0885_B.jpg" width="670" height="446" width_o="864" height_o="576" src_o="http://payload.cargocollective.com/1/4/133217/2119000/03_MG_0885_B_o.jpg" data-mid="10561455"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/133217/2119000/04_MG_0592_A.jpg" width="670" height="446" width_o="864" height_o="576" src_o="http://payload.cargocollective.com/1/4/133217/2119000/04_MG_0592_A_o.jpg" data-mid="10561462"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/133217/2119000/05_MG_1004_C.jpg" width="670" height="446" width_o="864" height_o="576" src_o="http://payload.cargocollective.com/1/4/133217/2119000/05_MG_1004_C_o.jpg" data-mid="10561466"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/133217/2119000/06_MG_1053_A.jpg" width="670" height="446" width_o="864" height_o="576" src_o="http://payload.cargocollective.com/1/4/133217/2119000/06_MG_1053_A_o.jpg" data-mid="10561469"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/133217/2119000/07_MG_0687_A.jpg" width="670" height="446" width_o="1200" height_o="800" src_o="http://payload.cargocollective.com/1/4/133217/2119000/07_MG_0687_A_o.jpg" data-mid="10561474"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/133217/2119000/11_MG_0633_A.jpg" width="432" height="648" width_o="432" height_o="648" src_o="http://payload.cargocollective.com/1/4/133217/2119000/11_MG_0633_A_o.jpg" data-mid="27605080"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/133217/2119000/12_MG_0734_A.jpg" width="432" height="648" width_o="432" height_o="648" src_o="http://payload.cargocollective.com/1/4/133217/2119000/12_MG_0734_A_o.jpg" data-mid="27605082"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/133217/2119000/13_MG_1149_A.jpg" width="432" height="648" width_o="432" height_o="648" src_o="http://payload.cargocollective.com/1/4/133217/2119000/13_MG_1149_A_o.jpg" data-mid="27605087"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/133217/2119000/_MG_0982_A.jpg" width="432" height="648" width_o="432" height_o="648" src_o="http://payload.cargocollective.com/1/4/133217/2119000/_MG_0982_A_o.jpg" data-mid="27605089"  border="0" align="left"/&#62;
Smoke Signals, 2010
Archival Pigment Prints, 40" x 60"
edition of 5 + 1 AP</description>
		
		<excerpt> Smoke Signals, 2010 Archival Pigment Prints, 40" x 60" edition of 5 + 1 AP</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/4/133217/2119000/prt_1362766563.jpg" />

	</item>
		
		
	<item>
		<title>moonscapes</title>
				
		<link>http://www.ameliabauer.com/moonscapes</link>

		<comments>http://www.ameliabauer.com/following/ameliabauer.com/moonscapes</comments>

		<pubDate>Sat, 08 Oct 2011 09:56:51 +0000</pubDate>

		<dc:creator>www.ameliabauer.com</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">2119037</guid>

		<description>&#60;img src="http://payload.cargocollective.com/1/4/133217/2119037/02_IMG_2713_A.jpg" width="670" height="502" width_o="1200" height_o="900" src_o="http://payload.cargocollective.com/1/4/133217/2119037/02_IMG_2713_A_o.jpg" data-mid="10561690"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/133217/2119037/IMG_2767_B.jpg" width="670" height="502" width_o="864" height_o="648" src_o="http://payload.cargocollective.com/1/4/133217/2119037/IMG_2767_B_o.jpg" data-mid="16426016"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/133217/2119037/10_IMG_2773_A.jpg" width="670" height="502" width_o="1200" height_o="900" src_o="http://payload.cargocollective.com/1/4/133217/2119037/10_IMG_2773_A_o.jpg" data-mid="10561699"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/133217/2119037/14_IMG_2774_A.jpg" width="670" height="502" width_o="1200" height_o="900" src_o="http://payload.cargocollective.com/1/4/133217/2119037/14_IMG_2774_A_o.jpg" data-mid="10561702"  border="0" align="left"/&#62;
Moonscapes, 2011
Archival Pigment Prints, 40" x 30"</description>
		
		<excerpt> Moonscapes, 2011 Archival Pigment Prints, 40" x 30"</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/4/133217/2119037/prt_1362766500.jpg" />

	</item>
		
		
	<item>
		<title>extra terrestrial</title>
				
		<link>http://www.ameliabauer.com/extra-terrestrial</link>

		<comments>http://www.ameliabauer.com/following/ameliabauer.com/extra-terrestrial</comments>

		<pubDate>Sat, 08 Oct 2011 09:56:50 +0000</pubDate>

		<dc:creator>www.ameliabauer.com</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">2119031</guid>

		<description>&#60;img src="http://payload.cargocollective.com/1/4/133217/2119031/_MG_0112_C.jpg" width="670" height="446" width_o="1200" height_o="800" src_o="http://payload.cargocollective.com/1/4/133217/2119031/_MG_0112_C_o.jpg" data-mid="13077617"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/133217/2119031/02_MG_1548_A.jpg" width="670" height="446" width_o="1200" height_o="800" src_o="http://payload.cargocollective.com/1/4/133217/2119031/02_MG_1548_A_o.jpg" data-mid="10561620"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/133217/2119031/_MG_1890_C.jpg" width="670" height="446" width_o="1080" height_o="720" src_o="http://payload.cargocollective.com/1/4/133217/2119031/_MG_1890_C_o.jpg" data-mid="13077623"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/133217/2119031/_MG_1956_C.jpg" width="670" height="446" width_o="864" height_o="576" src_o="http://payload.cargocollective.com/1/4/133217/2119031/_MG_1956_C_o.jpg" data-mid="15400005"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/133217/2119031/_MG_1532_B.jpg" width="670" height="446" width_o="1080" height_o="720" src_o="http://payload.cargocollective.com/1/4/133217/2119031/_MG_1532_B_o.jpg" data-mid="13077657"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/133217/2119031/_MG_2047_B.jpg" width="670" height="446" width_o="1080" height_o="720" src_o="http://payload.cargocollective.com/1/4/133217/2119031/_MG_2047_B_o.jpg" data-mid="13077661"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/133217/2119031/_MG_1715_B.jpg" width="670" height="446" width_o="1080" height_o="720" src_o="http://payload.cargocollective.com/1/4/133217/2119031/_MG_1715_B_o.jpg" data-mid="13077664"  border="0" align="left"/&#62;
Extra Terrestrial, 2011
Archival Pigment Prints 
45" x 30" Edition of 5 + 1 AP
30" x 20" Edition of 10 + 2 APs</description>
		
		<excerpt> Extra Terrestrial, 2011 Archival Pigment Prints  45" x 30" Edition of 5 + 1 AP 30" x 20" Edition of 10 + 2 APs</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/4/133217/2119031/prt_1362768642.jpg" />

	</item>
		
		
	<item>
		<title>branch</title>
				
		<link>http://www.ameliabauer.com/branch</link>

		<comments>http://www.ameliabauer.com/following/ameliabauer.com/branch</comments>

		<pubDate>Mon, 03 Oct 2011 18:47:29 +0000</pubDate>

		<dc:creator>www.ameliabauer.com</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">2094852</guid>

		<description>&#60;img src="http://payload.cargocollective.com/1/4/133217/2094852/D_Branch.jpg" width="670" height="360" width_o="1440" height_o="774" src_o="http://payload.cargocollective.com/1/4/133217/2094852/D_Branch_o.jpg" data-mid="10437036"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/133217/2094852/D_BranchDetail.jpg" width="670" height="377" width_o="1080" height_o="608" src_o="http://payload.cargocollective.com/1/4/133217/2094852/D_BranchDetail_o.jpg" data-mid="10437042"  border="0" align="left"/&#62;
Branch, 2008
"Environs," Capricious, New York
1/8" basswood scale lumber on a branch, suspended
6' x 3.5' x 2.5'</description>
		
		<excerpt> Branch, 2008 "Environs," Capricious, New York 1/8" basswood scale lumber on a branch, suspended 6' x 3.5' x 2.5'</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/4/133217/2094852/prt_1362767108.jpg" />

	</item>
		
		
	<item>
		<title>toile series</title>
				
		<link>http://www.ameliabauer.com/toile-series</link>

		<comments>http://www.ameliabauer.com/following/ameliabauer.com/toile-series</comments>

		<pubDate>Mon, 03 Oct 2011 18:42:00 +0000</pubDate>

		<dc:creator>www.ameliabauer.com</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">2094814</guid>

		<description>&#60;img src="http://payload.cargocollective.com/1/4/133217/2094814/IMG_0322Cflat.jpg" width="670" height="670" width_o="1728" height_o="1728" src_o="http://payload.cargocollective.com/1/4/133217/2094814/IMG_0322Cflat_o.jpg" data-mid="10436899" caption="&#38;lt;i&#38;gt;Toile #1 (Poplar)&#38;lt;/i&#38;gt;" border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/133217/2094814/IMG_0356Cflat.jpg" width="670" height="670" width_o="1728" height_o="1728" src_o="http://payload.cargocollective.com/1/4/133217/2094814/IMG_0356Cflat_o.jpg" data-mid="10436915" caption="&#38;lt;i&#38;gt;Toile #2 (Willow)&#38;lt;/i&#38;gt;" border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/133217/2094814/IMG_0365CAflat.jpg" width="670" height="670" width_o="1728" height_o="1728" src_o="http://payload.cargocollective.com/1/4/133217/2094814/IMG_0365CAflat_o.jpg" data-mid="10436926" caption="&#38;lt;i&#38;gt;Toile #3 (Black Locust)&#38;lt;/i&#38;gt;" border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/4/133217/2094814/IMG_0359Cflat.jpg" width="670" height="670" width_o="1728" height_o="1728" src_o="http://payload.cargocollective.com/1/4/133217/2094814/IMG_0359Cflat_o.jpg" data-mid="10436922" caption="&#38;lt;i&#38;gt;Toile #4 (Red Pine)&#38;lt;/i&#38;gt;" border="0" align="left"/&#62;
Toile Series, 2008
Archival pigment prints on Ilford Pearl, 36" x 36"
edition of 5 + 1 AP
</description>
		
		<excerpt> Toile Series, 2008 Archival pigment prints on Ilford Pearl, 36" x 36" edition of 5 + 1 AP </excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/4/133217/2094814/prt_1362767047.jpg" />

	</item>
		
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